![]() Including an audiophile quality 18-bit resolution, 48kHz sampling A/D converter, the Podcaster processes all of the analogue-to-digital conversion internally, bypassing the computer's lower quality on-board sound controller altogether.Ī headphone output on the microphone body provides zero-latency monitoring, so the user can hear exactly what is being recorded, free of delay or echo. As with any broadcast mic, the setting in which you record will have an impact on the sound you achieve, but in the Procaster we found a microphone we’d happily rely on.The RODE Podcaster is a dynamic, end-address USB microphone that combines broadcast-quality audio with the simplicity of USB connectivity, allowing recording direct to a computer without the need for an additional digital interface. For any application involving speech – be that podcasts, voiceovers or video – the Procaster delivers pleasing results that don’t require masses of post-production to polish. Overall, we were very impressed with the Rode Procaster. All told it didn’t impact hugely, and was certainly no worse than any of the Procaster’s competitors, but it is worth considering. For some users, this may push it into fairly noisy territory, however in our experience that was largely negated by the high-pass filter. We did notice it can be fairly gain-hungry, requiring a reasonable boost from the preamps on our audio interface. By forcing you to go through a mixer or audio interface, as opposed direct to your computer via USB, you actually gain significantly more control over the recorded sound. The inclusion of an XLR input is what sets it apart here. Rode also offers a shock mount, available separately, which will further help when seeking isolation from wobbly desks or mic stands. It’s not a mic we’d want to be hand-holding for any length of time though, so a desk mount or boom arm would be wise purchases. To hold, the Procaster has a pleasing heft to it thanks to its all-metal construction. ![]() Performance here is aided by an internal pop-shield, however we’d always advise on the use of an external pop filter just to be safe. You also talk directly into the top of the mic, rather than the side, despite how it may appear at first. The cardioid pickup pattern offers 180 degrees of rejection, so it’s best suited to directional use, specifically in front of one voice rather than many at a time. The Podcaster, on the other hand, is much more plug-and-play and so therefore doesn’t require extra equipment or technical knowledge. There are clear benefits to this, which we’ll address later. The Procaster is aimed more at a broadcast audience, who are more likely to have the required extras – audio interface or mixer – you’ll need to connect it. ![]() It’s clever of Rode you essentially get the same microphone and make it fit your workflow, not the other way around. The Rode Podcaster, on the other hand, shares many of the same characteristics, only it opts for a USB connection instead of the Procaster’s XLR connection. The Rode Procaster itself is a dynamic mic, with a cardioid pickup pattern making it ideal for solo speech. It’s actually part of a wider family of mics from Rode, all aimed at podcast and broadcast creators. Where other mics will market themselves as being suited to anything, Rode is quite clear that the Procaster is designed specifically with speech in mind. ![]() Today’s mic, the Rode Procaster, is a perfect example.
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